- Written by Super User
Living room decors-Condition 3 is fixed" of colour sketching is to show a colour still life sketching must be in illuminant fixed,Great Big Canvas Art object is fixed, environment is fixed below these 3 basic
premise ability undertakes, otherwise the colour relation of the picture will be disordered.
Only under the fixed light source,Black and White Art can we grasp the color relation of each part of the object.
As a phenomenon of light and color, the change of temperature is an objective existence, and it is related to people's visual physiological and psychological reflection.
So, under a certain light source, what will happen to the color of the object in a specific environment?
We know that when an object is exposed to sunlight, the light part will produce a warm feeling,Contemporary Art while the shadow part will produce a cold color
feeling. Almost everyone has this intuitive experience.
If intense sunshine illuminate is on white metope, the white metope that gets smooth illuminate can produce warm yellow color, the shadow place of metope shadow of backlight or trunk, branch leaves stays on white wall project can produce
a kind of slant shallow purplish the cold color of blue ash.EXTRA LARGE CONTEMPORARY PAINTING If look closely again the colour of these shadow, we can discover the shadow of the upper part of the wall slant bluish gray, the shadow that is close to the ground gives a person with bluish in taking a few yellow colour feeling.
This is the reflection of the ambient color onto the projection.
The upper part of the shadow is bluish because of the reflection of the color of the sky light (blue sky).
The shadow of lower half produces slant yellow color gradually in blue attune, because the color of the ground is opposite its reflection and form.Additional, in the light color of overcast day neutralize falls in the illuminate of fluorescent lamp, because day light and fluorescent lamp belong to cool color, bright part presents cool light color very apparent, and the color of
dark part slant warm.
The list goes on and on.
It illustrates a basic truth: the light part of an object is cold, dark part is warm;
Warm in the light, cold in the dark.
The change of temperature of this kind of chromatic light phenomenon itself is a kind of objective existence, at the same time it is closely related with human visual physiology and psychology.
It is very important to understand and grasp the rules of color changes of objects, which is the basic basis for us to understand the color changes of objects in space and to carry out color sketching. Otherwise, the color relations of
various objects in the picture will be disordered and chaotic.
On the premise of understanding the decisive influence of light source color on the temperature and temperature of objects, we should also understand the changes and mutual relations caused by the interaction between the natural color of
objects and the environmental color.
The so-called natural color of an object is the result of the absorption and reflection of light by its components.
We know that the dazzling sunlight presents a seven-color light source under the separation of the prism. Different colors absorb different waves of light differently, so we get the inherent colors of different objects in the vision.
The intrinsic color of an object is only a basic concept of the color of an object.
If we carefully observe it in connection with the light source in the space and the color of the object in the environment, we will find that many subtle changes have taken place in the color due to the ups and downs, highs and lows of
the object itself, as well as the factors before and after, far and near.
In order to facilitate the analysis, we put the object light part, the middle tone, the dark part, the projection, the reflection and so on several big areas color change to explain one by one, enables the examinee to be able to grasp
its basic tendency in the complex color the genesis.
Generally speaking, the receiving part of an object's light is a warm color, and the opposite part of its back light is a cool color.
Bright part color is the mixture of light source color + natural color, light color is basically light source color + trace natural color.
Intermediate tonal level is the strongest with inherent color composition, have a few illuminant color and environmental color composition, the intersecting line is the complementary color of object color + this object color.
Dark color is the object's natural color + environment color.
Reflective color is mainly the environment color + a small amount of dark color, projection color is the complement of the object + subject to the projection of the object color + environment color.
The intensity of reflective color is related to the surface texture of the object, light wei object reflective color is strong, rough object reflective color is weak.
Clear afore - mentioned basic concept, we are in colour still life sketching or the colour sketching in the colour of a few other content can have a plan in one's mind, master the colour relation of each part in the picture actively,
summarize or, thorough or not, can show the colour relation with rich change of material image easily.
- Written by Super User
One, colour problem is the central issue of oil painting
Oil painting is to use color to shape the image,Great Big Canvas color is the main means of expression of oil painting.
It is good to say that sketch is the foundation of form.
In oil painting, sketch is included in color, and object's body structure, light and shade level, spatial relationship and quality sense are all expressed through color.
Oil painting tools in the use of color,Big Canvas Art color performance has obvious advantages, rich performance.
At the same time to the color requirements are more strict, higher.
In watercolor paintings, proper use of water can often mask the inadequacy of color presentation.
The pink characteristic of the color of gouache makes the color bright, gorgeous, moist, but not easy to show rich middle tone and dark tone.
In oil painting, it mainly depends on the power of color itself. Color problem is very sensitive in oil painting, and the slight deficiency and error in color will soon be exposed.
The comrade that contacted a period of time water color, water powder learns again and oil painting, often such same experience: learn water color first, water powder learns oil painting again, on colour meeting still feels more laborious, not even correct so-called "water powder taste" (refer to picture color is thinner);
On the contrary, learn oil painting first and then learn watercolor, watercolor, mostly in the color problem is not very big, mainly is how to be familiar with tool performance.
This also explains the close relation of canvas and colour.
From the perspective of the history of oil painting, it is also a process in which the expression of color and its importance are constantly enriched and developed.
Today we are exposed to more systematic and scientific painting color sketching theory, can be said to be mainly in the practice of oil painting development and summary.
Therefore, it is generally accepted that color is a central issue in painting.
To learn oil painting is to focus on the study of the rules of color modeling, cultivate a keen sense of color,Large Canvas Art and master the correct observation, analysis and expression of color scientific methods.
2. Three development stages of oil painting color
The role of color in oil painting and expression methods, there is a process of continuous development.
If large sum is made, it can be divided into the following three major stages.
From the beginning of Renaissance oil painting to the advent of impressionist painting in the 19th century, generally speaking, oil color is still in the position of being subordinate to sketch.
The color of oil painting is basically based on the inherent color and light and shade relationship of the object. When presenting the color of the object's light and dark, subject to light and shadow, it is basically the change relationship of light and shade and black and white. The whole color of the picture is unified in a certain sketch relationship.
This period of oil painting is mainly transparent painting.
Transparent painting is the first focus on the shape and light, and then to solve the color of a painting.
For example, the color of the face and hands of the characters in leonardo Da Vinci's "Mona Lisa" is very delicate and soft, but the expression method is obviously rich color gradations of light and dark.
The 17th century Flemish great painter Rubens is a famous color master, its work gives the human with the warm and colorful, the palatial sense.
He has rich color imagination, pay attention to the contrast processing of tonal and big color piece, but generally speaking he still USES sketch relation to control, control colour, it is to use light and shade relation to unify colour.
In the landscape painting of this period, this kind of color belongs to sketch, to show the inherent color and the light and shade primarily the characteristic, the performance is more obvious.
Renaissance landscape painting, although the preliminary use of color changes to show the space level of landscape, painted foreground with warm brown, middle landscape with brown green, vision with cold green gray.
However, this is almost a kind of program, which is mainly used in the light and shade relation -- close shot light and shade contrast is strong, gradually decreasing to the gray of the distant view.
This approach has been followed.
Such landscape painting looks almost monochrome sketch today, the whole color appears dark, dull and false, obviously exposed to the light of the relationship and Yang xiao under the scene of brilliant color powerless.
Of course this is not a total negation of this period of oil painting, this is from the development of oil painting color.
This kind of oil painting method also has its own characteristics. It also has strong expressive force in presenting the object's body, light and shade, space and quality sense, as well as in organizing color block contrast.
And, form style also is a variety of diversiform, be not a look, changeless.
Four hundred to appear a lot of colour masters, from the Italian Renaissance Venetian titian, to 17th century Rubens and Rembrandt, diego velazquez to 18th century goya and 19th century romantic Lord delacroix, etc., the performance of the oil painting color method, and the importance of colour in painting and expressive force, is growing, constantly improve, in the middle of the nineteenth century painting color to breakthrough laid a solid foundation.
- Written by Super User
For contemporary family, The living room decors can stating is very important a part, each person hopes his room is more fashionable, more sweet, metope add on appears essential in this particular link, because it is usually the area that gives the person the most intuitionistic in integral feeling.
The objective of wall decoration is in order to protect the wall plus beautify the indoor atmosphere.
How to deal with good metope add on When carrying out metope adornment, understand detailed movement can let construction more simple, more economy materials.
First of all, the particular site should be measured, there is a whole concept, and then in accordance with the results of the measurement associated with the overall type of the particular wall, out of the particular design program.
The third step is to choose metope adornment material in line with the program that designs, final hyperlink is construction, in every link, hold to essential style is very important.
The important that chooses appropriate material is metope add on Along with the enhancing of the particular perceptions, metope adornment materials also has the trend of diversification, metope adornment materials on building materials marketplace at present basically provides wood coatings, stone dish, wallpaper, ceramic, glass, metals, etc., each type of material adornment metope might have different effect, and each type of material is also have got their own advantages, therefore in the sign associated with decoration, want to select according to his end up being attached to.
Hold the living room decors will be the important principle of metope adornment
This entire style refers to the particular integral type of the design, metope, in the end, as a part of the area on metope adornment, need to fully think about the their very own domestic outfit style, is modern-day and contracted, or
European style, based on these types of to determine the metope adornment material and color, in an attempt to achieve the goal of harmonious and single.Overall speaking, metope adornment is a very important project, decorate to the particular family for, to metope processing should give bigger concern, let a loved ones become fashionable, sweet, romantic.
- Written by Super User
In a preppy and modern Nantucket home brimming with reclaimed and reused materials, the driftwood mantel in the family room stands out. The property owners found this reclaimed item of black walnut from the river log in the particular Mississippi River. The wooden was cleaned with compressed air and a smooth brush to remove any cobwebs or mud.
While the particular construction requires some ability, finding a piece associated with wood that would match in this area has been just as much associated with a challenge. "Finding the particular right size and design of the wood was a little difficult, " affirms Chris Komenda of Woodmeister Master Builders. "But for all of us, that's part of the fun of reusing something unique and reclaimed. "
Our other favorite component about this room within this National Green Constructing Standard Gold-certified home: The beautiful fireplace surround created from pieces of petrified wooden. Woodmeister Master Builders obtained this unique piece through Cumar Marble and Granite within Everett, Mass.
Then three or more custom 3/8” metal discs were welded to the 3/4” steel dowel. The particular plates were screwed into the wall stud and covered with Venetian plaster, leaving the dowels sticking out. Three matching openings were drilled into the particular driftwood, and a silicon insert was used in order to attach the driftwood in order to the dowels. Because of this, the particular mantel appears to nearly float off of the particular wall.
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